If you want success as a singer/songwriter, I already know these five things need to be addressed without even seeing your show. Read More.
Your audience wants to respond, they just don’t know what you want them to do – they don’t know what’s going through your head when you’re on the stage – so you have to use verbal, visual, and musical cues to lead them where you want them to go. Read More.
Whatever your style of music or size of your ensemble, there’s a lot I learned watching the Jazz at Lincoln Center Orchestra that you can apply to your next band rehearsal. Read More.
Being intentional with different visual presentations for the variety of moods your songs invoke is part of what Tom Jackson calls changing the pressure on your audience during your live performances. “I’m not talking about acting or choreography, I’m talking about thinking, “What should this song look like?'” Read more.
If you want to perform live more than just once a month, there are plenty of ways to fill up your performance schedule without saturating a particular market. Four basic strategies you should consider include: 1) A club residency, 2) Alternate format performances, 3) Dual territory performances, 4) A tour. Read more.
When people come to me for band practice tips, one of the questions I get asked a lot is, “What’s too much rehearsal? We want to keep it spontaneous.” Well, spontaneous is one thing, and winging it is another. And most people wing it. When you’re making it up as you go onstage, instead of in rehearsal, you’ll never be great, consistently. Read more.
As musicians, we are emotionally attached to our music. With that attachment, we often lose perspective. I’m not asking you to emotionally detach from your songs when you perform live, but I am asking you to look at it from the audience’s point of view. Why does your audience show up? What are they hoping to get out of the evening? Why do they go to a coffee house, a club, a church, a concert hall? To hear you play your songs? Not really. Read more.