The first of a two-part series explores how taking time to learn another instrument will help you become stronger at your first instrument and improve your songwriting chops. Read the post.
By virtue of their paying the standard licensing fees to the Performance Rights Organizations, broadcasters have the right to play whatever music they like from a PRO’s catalog. Same goes for the public appearances: as long as the organizers have cleared the necessary music licenses, which they likely have done if the venue doesn’t already have a blanket license, they can play whatever they want to. For major label artists who find themselves at odds with the use of their music in such situations, they can often cause enough of a PR stir that the folks in question are better off granting the request to cease and desist, even if there are no legal ramifications. Read more.
For many musicians, physical problems come in the form of repetitive stress injuries resulting from improper technique, over-exertion, or just bad luck. If not dealt with correctly, RSIs can get worse and become debilitating. Read the post.