Strategies that involve focused listening and practice are key to learning new material quickly, and looking closely at song structure can lessen the amount of time it takes you to get from first listen to a strong, quality performance. Read the post.
If you’re in a situation where you have to learn lots of new music in a very short time, these tips can help you develop a strategy so you can tackle the task and perform with confidence. Read the post.
A performance of “The Star-Spangled Banner” can be a powerful musical experience when done right and a national embarrassment if things go wrong. Consider this advice if you’re ever called to perform it. Read the post.
Playing an unplugged gig outdoors presents challenges if you need amplification – but there are ways to meet the challenges and put on a great show. Read More.
Whatever your genre, your solos and musical arrangements can come to life in you incorporate call and response between instruments, vocalists, and any combination you can think of. Read More.
Transcribing solos that other musicians have played can be a challenge, as it requires significant music notation chops and a sharp ear. Like any musical skill, though, it can be learned, and is well worth the investment of time to make it happen. Read More.
Our May 24th Disc Makers #DMchat focused on improvisation and soloing techniques featuring pianist, composer, and producer Michael Gallant. Read More.
Whether it’s a virtuosic guitar, a transcendent piano, or a funky breakdown on bass, a great solo can add power and personality to songs in any genre. Read more.
Here are some practical tips to help you deal when stars (and germs) align to make you sick for the gig you’ve been looking forward to play. Read more.
What if, hours before you play the gig of the year, your drummer ends up in the hospital with a stomach flu, or your bass player gets called out of town? Whether the issues are related to health or weather, business or family, life can sometimes interfere to prevent your key band mates from arriving where and when you need them. Read more.
As a member of multiple musical projects, I’ve discovered that even when you feel like you don’t have time, there are ways to move forward musically, steps you can take to put yourself in the best position to deliver a great performance once you step on stage or behind the glass. One of the most effective? Learn to listen. Read more.
Last week, Echoes published an article about my unexpectedly unplugged and unamplified live music performance at an outdoor festival. The entire band had to make adjustments to accommodate the requirements of the gig – and drummer Rob Mitzner, in particular, relied on a setup he’s customized just for such circumstances. Read more.
I had thought that, even though the gig was outdoors, we would have no problem plugging in amps and instruments. Many parks have outlets tucked away inside lamp posts and maintenance buildings, accessible for public events. As we moved closer to the date, we discovered the city would not in fact turn on the juice. Read more.
When people come to me for band practice tips, one of the questions I get asked a lot is, “What’s too much rehearsal? We want to keep it spontaneous.” Well, spontaneous is one thing, and winging it is another. And most people wing it. When you’re making it up as you go onstage, instead of in rehearsal, you’ll never be great, consistently. Read more.
We all know practice makes perfect, but sometimes perfect isn’t enough to calm performance jitters, cool sweaty palms, and relax the nerves. So whether you’re heading out to perform for some big festival crowds, going solo for the first time, or just want to get a grip on your performance, here are a few tips to take on – before you step on stage. Read more.