You’ve put together a great set of music and you’re ready to perform. How do you make a connection and impress a talent buyer to book you for a high-profile gig? Read More.
Here’s the strategy I used to book high exposure music gigs opening for Rick Derringer, Kenny Wayne Shepherd, Joan Jett, Fuel, and many others. This same method will work for booking gigs at local venues as well. Read More.
An input list should include every instrument, DI, and vocal that’s part of your stage set-up. Here are some tips to help you put together an effective input list with minimal headache. Read More.
Think you’ve told your live sound engineer everything he needs to know for your big gig? Don’t forget these important details. Read More.
A well-crafted stage plot – customized to the lineup and tech needs of your band – can go a long way towards setting yourself up for success once you hit the stage, especially for a multi-band event. Read More.
The fifteen minutes between one artist’s final note and the next group’s first “hello” are precious. How you handle the transition can set you up for your best performance at your next music gig. Read More.
When working toward your music career goals, the big question I want to focus on is: “How do I know if a gig is worth playing?” Read More.
Touring is such a valuable learning and career opportunity. See the sights, play great shows, connect with industry, and make your fans feel special. Having a genuine attitude and hard-working ethos on the road can only lead to bigger, better opportunities. Read More.
Excerpted from our updated Indie Artist’s Guide To Gigging, this section focuses on booking strategies for acts trying to gain momentum and widen their base. Read More.
If your goal is to get more gigs and play better venues, these five tips can help you make the most of your time and energy and give you a plan of attack. Read More.
Here are some practical tips to help you deal when stars (and germs) align to make you sick for the gig you’ve been looking forward to play. Read more.
Being intentional with different visual presentations for the variety of moods your songs invoke is part of what Tom Jackson calls changing the pressure on your audience during your live performances. “I’m not talking about acting or choreography, I’m talking about thinking, “What should this song look like?'” Read more.
There’s an advantage to concentrating your live performance development in local music venues as you plan for future tours in new and wider territories. Start your career in a central place – your hometown or a town nearby – then expand outward from that central point. Read more.
Growth is good, but grow with awareness as you move to the next level. The truth is, most acts move too quickly. They think they’ve reached a level of success that they simply have not. Carefully assess every step of your success before charging ahead thinking you’re ready to move on. Read more.
Have you ever felt frantic about getting more gigs on your schedule? Depending on your goals and where you are in your music career, that may be exactly the thing to do. If you are in this to create a lasting career in music, one that builds momentum and progresses from one level to the next, you need a plan when booking music gigs. Read more.