In a follow up to our Work For Hire post that looked at these agreements from the producer’s perspective, this post gives advice to musicians being asked to perform/record and sign a WFH contract. Read the post.
If you have an instrument and an original idea, you can write a great song. Producing a great song is another thing. Songwriters can connect with a network of collaborators to boost the professionalism of their recordings — here are tips when hiring musicians online. Read the post.
If you’re hiring musicians (or other contributors) to work on a music project, these tips from a music industry lawyer can help you navigate a Work For Hire agreement. Read the post.
You’ve put together a great set of music and you’re ready to perform. How do you make a connection and impress a talent buyer to book you for a high-profile gig? Read More.
Copyright termination is giving music artists the opportunity to reclaim the rights to their songs. The stories of Duran Duran, Paul McCartney and The Village People’s Victor Willis tell the tale. Read More.
If you are playing gigs, are you sure you’re not leaving revenue on the table? If you are writing songs, how can you best prepare so you’re not missing out on future income? The following management tips can help any musicians, songwriters, or producers make more money and better manage their material down the road. Read More.
It’s easy to get caught up in the buzz of your music career taking flight, so here are five reality checks to ensure a record deal and label are a good fit. Read More.
Finding an entertainment attorney isn’t difficult to do. The challenging part is finding an attorney who is right for you. Read more.
While the role of a record producer is typically understood by most artists, the business aspects are more confusing. What follows is a brief rundown of when a producer may first get involved in your career and how the deals are structured. Read more.
Attorneys are necessary to the business of music and your muisc career. An entertainment attorney reviews contracts with your best interests in mind, translates contract clauses into terms you can understand, and knows what issues are important to negotiate for in recording, publishing, and merchandising agreements. Read more.
The great drummer Art Blakey once said, “If you’re not appearing, you’re disappearing.” That’s the bottom line. The way the music business is structured, the live end is all-important to most artists. The talent buyers at venues are in the business of booking talent. Ideally, artists go through dedicated booking agents. That is the goal then, to ultimately attract a booking agent to represent you. Read more.
Imagine this scenario: Your band agrees to play at a private event at a local hall for a healthy fee. You learn six new songs requested by the person that hired you and are counting on the gig and the fee you will earn. Two days before the show, you get a text message saying that the gig is off because of a mix-up between the person throwing the party and the owner of the hall. What do you do? Read more…
What does copyright law say about your rights when an original idea is formed between two or more people? Here’s how some co-writers divide percentage shares in a song. Read the post.