Posts tagged as:

microphones

The Ultimate Podcasting Mic Shootout

by Disc Makers June 13, 2011

podcast microphonesAnyone shopping for a new podcasting microphone, or a voiceover microphone, or even a studio vocal microphone should know that the broadcast industry has relied on a very small handful of mics for the past 30 years. Broadcasters know something that you might not: how to get a great vocal sound. Read more…

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Home Recording Shopping Guide

by Keith Hatschek December 15, 2010

Many people have a limited budget this year to upgrade their home recording systems. Because of that, it’s helpful to prioritize what is the most important element you need or would benefit from upgrading. If you consider your entire home recording system as 100% of your sound, assuming that you already have a digital audio recording system, then as much as 50% of your sound comes from the quality of the microphone you use. When you purchase your first really nice microphone, you’ll be surprised at what a difference in the overall recording quality it makes. Read more…

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Recording vocals to a computer with Shure’s X2u

by Keith Hatschek May 17, 2010

There’s been no shortage of products designed to help musicians get their musical ideas into their computers. While at the Winter 2010 NAMM show in Anaheim, I saw the then-new Shure X2u XLR-to-USB signal adapter. It’s a compact, affordable single channel palm-sized adapter that promises to help solve the problem of how to interface a recording mic with your home computer. Read more…

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In the Studio with Michael Jackson

by Bruce Swedien May 10, 2010

In The Studio with Michael JacksonNo one was closer to Michael Jackson at the height of his creative powers than Bruce Swedien, the five-time Grammy winner who, with Jackson and producer Quincy Jones, formed the trio responsible for the sound of Jackson’s records.

Excerpted from Bruce Swedien’s book, In The Studio With Michael Jackson, published by Hal Leonard. Read more…

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Creating a Great Composite Vocal Recording

by Keith Hatschek February 5, 2010

Creating a Great Composite Vocal RecordingOne of the themes through many of the articles on Echoes consider the practicalities of how to make the most of home recording, both the equipment needed and the techniques for getting the best results from your own efforts. This article will take a look at the techniques used to create composite lead vocal tracks, referred to as “comping” the lead vocal by studio engineers. Read more…

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Holiday Gear Guide

by Keith Hatschek December 7, 2009

NightTrainEach year our Pro Studio expert seeks out a range of products which might make for a welcome addition to your music-making or home studio recording in the new year. This year is no exception, as he spoke with a pro audio expert to learn about some great additions to your home recording rig, and also visited a local music store to try out some new music-making toys that deliver outstanding results. Read more…

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The $999 Home Studio

by Keith Hatschek November 16, 2009

A pair of VLA-4 powered monitors makes it easy to mix your project. As the cost of home recording technology has continued to fall, the list of products and their available features continues to grow. So it seems timely to ask the question, “Can you put together a viable home recording set up for less than $1000?” To help answer this question, we turned to pro audio veteran, Richie DeCarlo at Philadelphia’s music superstore, 8th Street Music. Let’s see what gear goes into a prototypical home studio rig and how much bang for the buck can you get with a grand. Read more…

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Drum Mic Showdown

by Keith Hatschek October 5, 2009

p810-fig1-3We took three drum mic packages into the studio for a live showdown.
Although most engineers will tell you they select microphones based on the type of instrument or the tonal quality of a particular instrument, we all have a trusted set of “go to” mics when it comes to recording drums. In the last few years, many microphone manufacturers have grouped sets of drum mics into affordable, easy-to-use packages for both the studio and live performances. This month we put three sets of drum mic packages through their paces to test what kind of performance you can expect. Read more…

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Pro Studio: Vocal Mics in the Studio

by Keith Hatschek October 4, 2009

Fast Forward’s Pro Studio guru puts four mics through their paces

One of the key elements in any popular song is the vocal performance, and an essential part of capturing a vocal performance accurately is the microphone used in the recording. Top recording engineers know how important it is to match each singer’s particular vocal qualities and timbre to the microphone that will best capture the power and subtleties of that voice. This month, Fast Forward brought four high-quality vocal microphones (i.e. list price of $1,000 or more) into the studio and ran each through its paces, recording male and female vocal tracks and some narration. By the end of the session, you’ll have a good idea of which of these mics may be worth the investment for your home recording studio and what you might want to look for in studios near you. The four contenders include: the Kiwi, from BLUE Microphones; the TLM 103 from Neumann; the Black Hole BH-2 from JZ Mics; and the KSM 44 from Shure. I invited my colleague Jeff Crawford, a local producer and engineer over to provide a second set of ears for the evaluation. Two singers were asked to help with the testing, each one bringing a backing track of a song that they were familiar with to use for the test session. Read more…

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The Beginner’s Guide to Microphones

by Disc Makers September 15, 2009

Audiotuts+ has put together a simple, helpful guide on microphone basics. This is a quick read of the fundamentals and will help you understand the different types of microphones, how polar patterns describe the way a microphone picks up sound, and what other factors you should consider before purchasing new equipment.

At their most basic, microphones are transducers. A transducer is an electrical device that converts energy from one form to another. In this case, the transducer is turning sound — acoustical energy — into an audio signal — electrical energy. Read more…

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Acoustic Guitar Recording – The Basics

by Keith Hatschek September 9, 2009

If you’re doing home recording, one of the main instruments you may be using for accompaniment is the acoustic guitar. Learning the basics of acoustic guitar recording requires time to experiment a bit to find your instrument’s sweet spots for micing, and also understanding some essentials with regard to your guitar and recording environment. We’ll use the most popular dynamic mics that many musicians rely on for gigs, the venerable Shure SM-57 and 58, to show how to get a good recorded sound from your acoustic guitar. We’ll also recommend two affordable condenser mics that can help you take your guitar’s sound to the next level. Read more…

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When It Pays To Have a Home Recording Rig

by Keith Hatschek September 1, 2009

The Boss BR 600 delivers a powerful all-in-one recording station that is ideal for guitarists.Talk with any musician who writes and performs his or her own music and chances are that one of the things near the top of their “to do” list is to regularly record their songs. There’s no better way to improve your performing and writing chops than to routinely record and critique your own music. So when does it make sense to invest in buying and learning how to use a home recording rig and when does it make sense to shop around and use a professional studio? Read more…

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How to Record Vocals in a Bedroom

by Disc Makers August 31, 2009

Don’t have a dedicated recording studio? Recording in your house? Check out these tips and tricks from Audiotuts+ to get the most out of your sound in an imperfect setting.

The number one factor in vocal recording is the room. You might’ve thought it was the mic you’re using or the pre-amp you’re running it through, but the truth is if you’ve got a U87 and an Avalon but the room you’re recording in is crap, you won’t be much farther ahead than a guy using a Behringer mic through an Mbox.

You could buy one of those (often rather expensive) reflection shields that attach to the stand and sit behind the microphone, and this will do you some good, particularly if your mic is omnidirectional. However, most common vocal microphones for both home and studio users are cardioid, so the shield will still help to an extent but the majority of problem reflections will come from the front — that is, the surfaces behind the vocalist’s head.

Click here to read the entire article on Audiotuts+.

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11 of the Best Studio Microphones Ever + How and When to Use Them

by Disc Makers July 30, 2009

Neumann U87Stephen Schappler, an audio engineer, talks about the strengths and weaknesses of a select group of 11 studio microphones.

Finally, your project has the budget for a nice studio with a good microphone closet. When you get there, you want to make sure you are acquainted with common studio microphones so you make wise and informed miking decisions when it’s time to record.

Read more…

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Microphone Resources and Recommendations

by Disc Makers July 14, 2009

Don’t skimp on your mic! Need help finding the right one? Check out this list of mic resources and recommendations from Adrian Try on Audio Tuts+: http://cli.gs/DSneu2.

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