Posts tagged as:

mastering

Mastering Gear Overview

by Disc Makers January 10, 2012

Brian Lipski, who heads the dedicated group of audio engineers in the SoundLab Mastering Suite at Disc Makers, explains some of the basics about post-production mastering and the gear used in the process – either in your home studio or in a professional environment like the SoundLab. View video…

2 comments

Recording with Reverb and Echo – Tips and Lessons from Six Classic Tracks

by Keith Hatschek November 23, 2010

If you’re recording and mixing your own tracks, you may have already begun experimenting with reverb and delay, two time-based effects that offer the opportunity to change the perceived time and space coefficient of an individual instrument, voice, or an entire mix. Simply put, the use of reverb and echo effects can create the perception of music being performed in a small concert hall or a 20,000 seat arena, or anywhere in between. We’ll consider the aesthetic use of each, and recommend a few classic tracks worth checking out that make excellent use of these time and space effects. Read more…

25 comments

Basic Tracks: Where the Magic Is Made

by Bobby Owsinski October 25, 2010

The Music Producer’s Handbook Basic tracks are the initial recordings of the rhythm section that are done prior to any overdubbing. Basics are the foundation for the music being recorded and for any other parts that come afterward. If there’s something faulty in the foundation, it will either be impossible or very costly in time and money to fix things later. That’s why it’s essential to make each basic track the best it can be.

Regardless of whether you spend a little or a lot of time in preproduction, recording basic tracks is where you either make the project or break it. Even if you had a great preproduction, you never really know how things will record or what unforeseen circumstances will pop up until you get there. Read more…

6 comments

Production Tips: Adding Weight To Kick Drums

by Simon Langford July 1, 2010

Production TipsWhether you record live bands and real drum kits or use synthetic drum sounds, quite often you want to add some weight to the kick drum sound without making it sound “flabby” or overloaded. There are a few different ways of doing this, so let’s get started on really making your kick “kick”! Read more…

7 comments

The Self-Released Album – A Four Part Series

by Disc Makers June 11, 2010

Cameron Mizell, freelance guitarist, producer, and consultant in Brooklyn, has written a four part series about self-releasing an album. Filled with helpful information and resources on everything from your production schedule to digital distribution to copyrights and cover songs, it is a must-read. Read more…

0 comments

Analog Recording in Digital Times

by Keith Hatschek April 8, 2010

analog recordingWhile the revolution in recording technology centers on affordable digital audio workstations, the affection for the old analog traditions and sounds is more than just nostalgia.

To that end, Britain’s six-piece Band of Bees is working hard to reclaim and recapture some of the vintage sounds of legendary artists from the ‘60s and ‘70s like The Beatles, Buffalo Springfield, and the Young Rascals in their recordings. Read more…

2 comments

Creating a Lead Sheet

by Keith Hatschek March 19, 2010

Lead Sheet SoftwareThere’s some great software on the market that makes it easy to transcribe your music. We compare two programs and give you our take on ease and performance.

For a songwriter getting ready to work with a back up band or go into the studio with session musicians, having an accurate lead sheet of your songs is a great way to save time and money. Read more…

38 comments

How Do I Become a Studio Musician?

by Bobby Owsinski and Paul Ill January 15, 2010

On the journey to becoming a successful studio musician, a lot of roads lead to the same place. But the way it usually works is that someone hears and likes your playing and either hires you or refers you as a result. Here are some of the many ways it could happen. Read more…

19 comments

Tips to Ensure Success with Mastering

by Disc Makers January 11, 2010

Paul Elliott, senior mastering engineer at Disc Makers’ SoundLab mastering studios, offers a few tips to help artists get the most out of their mastering sessions, as well as some of his own opinions about the role of mastering in the album-making process.

First, prepare an accurate track listing – in the proper order – of all the songs you are sending to the mastering engineer. If there are any alternate mixes, be sure those are clearly labeled and tell the engineer which one you prefer be used. Read more…

13 comments

Making the Case for Mastering

by Keith Hatschek January 8, 2010

Before the advent of affordable home recording technology, most bands and songwriters struggled to save up enough money to go into a professional recording studio to cut a demo or a record that would help them get noticed. Invariably, once they were in the studio, these bands realized just how good they could sound if they only had a little more time in the studio to perfect their music. Read more…

19 comments

Pro Studio: Laptop Recording 101

by Keith Hatschek December 21, 2009

studiotogo2Compiling a “studio on the go” has never been so easy or affordable Being able to easily and quickly record your material at a moment’s notice is one of the key advances technology has provided musicians today. But just how easy is it to take that recording capability with you when you travel? Following is an exploration into the basics of setting up a “studio to go,” centered around an affordable laptop computer. With the advice of recording engineer Bob Furlong, we’ll find out just what you need to record anywhere and anytime the spirit moves you. Read more…

11 comments

Pre-Production and Your Recording

by Andre Calilhanna December 7, 2009

Whether you’re entering the studio for the first or fiftieth time, embarking on a full-length album or a soundtrack one-off, successful recordings start with some form of pre-production. It could be as simple as a one-time conversation with the studio manager to go over the studio’s etiquette, layout, fees, and the specifics of how your time in the facility will play out. But for most projects, pre-production is a much more involved process that allows the artists and production team to define things like which songs will be recorded, the key of each song, and their tempos. Read more…

1 comment

Home Project Studio: Part 1 & 2

by Mike Tarsia November 9, 2009

This five-part series of articles will take a real world look at the why’s, where’s, when’s, and how’s of creating a professional-grade home recording studio. The articles will be written as things happen, and I’m sure there will be enlightening anecdotes, technical twists, and surprising turns (for you and me) as I attempt to actualize a vision that is shared by many recording enthusiasts. Read more…

8 comments

Are Dynamics Dead in Popular Music?

by Keith Hatschek September 23, 2009

Since the earliest compressors were conceived and built, the ability to modify, control, and maximize the dynamic range of a musical performance has been the quest of many an audio engineer. In the early days of audio, limits on a recording’s overall dynamic range were dictated by vinyl – the state of the art in music delivery until the CD’s debut in 1982. Today, with virtually all music being recorded and massaged in a digital environment, it’s become standard operating procedure to limit, compress, or maximize the dynamic range of a track or an entire mix. Read more…

12 comments

Monitor Levels and Your Hearing

by Keith Hatschek August 25, 2009

Fast Forward caught up with two top studio engineers, Joe Zook (whose credits include work with Modest Mouse, Katy Perry, Dashboard Confessional and OneRepublic) and Rich Travali, who has recorded or mixed projects with Nelly, Jennifer Hudson, Gwen Stefani and Robin Thicke. We asked them to share their opinions on how loud is too loud in the control room and what effects high volume monitoring can have on your ability to accurately hear your mix. Read more…

21 comments
Request our free musician's guide to recording