You can transform your mobile device into a Swiss army knife of synths and virtual musical instruments with these recommendations from Dream Theater keyboardist and musical entrepreneur, Jordan Rudess. Read More.
There’s art and science behind every stage in the audio production process. Rob Mayzes joined our February Twitter Chat to discuss how you can overcome some of the challenges of mixing in a home studio environment. Read More.
When mixing bass guitar, don’t get discouraged if it takes a while to get the track just where you want it – bass can be the most difficult instrument to manage in a mix. Here are some tips to get started. Read More.
When sharing music tracks, having a plan for how to prepare your material for easy remote collaboration can save significant time and help avoid headaches. Read More.
The following five tips will help you approach EQ and your audio mix like a pro. Follow them, and you’ll add clarity, separation, and depth to your tracks. Read More.
One way to get creative with an arrangement and add that missing element to your home studio recordings is to add some tinkly sounds to the mix. Read More.
In this video, engineer Scott Wiggins explains the use of pre-delay with reverb on your vocals and snare drum to help add the desired effect while maintaining clarity and presence. Read More.
In our August Disc Makers Twitter chat (#DMchat), Graham Cochrane, mixing engineer and founder of The Recording Revolution, gave us an overview of audio mixing fundamentals for musicians of all genres. Read More.
When mixing rap vocals, getting the vocal to cut through the music track is key. In this video, you’ll see how to treat your tracks so nothing gets lost. Read More.
Other than cost, which is one obvious reason headphones are a worthwhile option, here are three advantages to mixing on headphones in your home studio. Read More.
The process of getting sound into and out of the computer is actually quite simple and is totally dependent on the science of sound, which we call acoustics. Read More.
With all the information out there about acoustic treatment, it’s easy to get confused. One thing I’ve learned from recording and mixing in my own studio, doing research on the Internet and elsewhere, and reading numerous articles, is to keep things simple. Read more.
If you record audio in a place where the same noises are often around, and you are not able to prevent them, then you’ve probably found yourself removing them from your audio recordings using noise reduction software. Unless you’ve built or purchased a sound-proof recording booth, there WILL be noise. Read more.
When it comes to recording and mixing your music, most of us agonize over which software plug-ins to buy or what microphones and preamps we can afford. It’s also crucial to assess the acoustic properties of the room in which you will make your most critical audio production decisions during mixdown. Read more.
You’ve finished the audio mix for your latest song. Your audio mix sounds pretty good in your home studio, but when you play the song on your iPod or in the car, you notice one or two bass notes always sound super loud, even though you’ve applied compression on the bass track to try and prevent this very problem. Read more.