In this video, engineer Scott Wiggins explains the use of pre-delay with reverb on your vocals and snare drum to help add the desired effect while maintaining clarity and presence. Read More.
In our August Disc Makers Twitter chat (#DMchat), Graham Cochrane, mixing engineer and founder of The Recording Revolution, gave us an overview of audio mixing fundamentals for musicians of all genres. Read More.
When mixing rap vocals, getting the vocal to cut through the music track is key. In this video, you’ll see how to treat your tracks so nothing gets lost. Read More.
Other than cost, which is one obvious reason headphones are a worthwhile option, here are three advantages to mixing on headphones in your home studio. Read More.
The process of getting sound into and out of the computer is actually quite simple and is totally dependent on the science of sound, which we call acoustics. Read More.
With all the information out there about acoustic treatment, it’s easy to get confused. One thing I’ve learned from recording and mixing in my own studio, doing research on the Internet and elsewhere, and reading numerous articles, is to keep things simple. Read more.
If you record audio in a place where the same noises are often around, and you are not able to prevent them, then you’ve probably found yourself removing them from your audio recordings using noise reduction software. Unless you’ve built or purchased a sound-proof recording booth, there WILL be noise. Read more.
When it comes to recording and mixing your music, most of us agonize over which software plug-ins to buy or what microphones and preamps we can afford. It’s also crucial to assess the acoustic properties of the room in which you will make your most critical audio production decisions during mixdown. Read more.
You’ve finished the audio mix for your latest song. Your audio mix sounds pretty good in your home studio, but when you play the song on your iPod or in the car, you notice one or two bass notes always sound super loud, even though you’ve applied compression on the bass track to try and prevent this very problem. Read more.
So you want a killer home recording studio that can deliver great sounding tracks and not break the bank? Graham Cochrane lets you know exactly how to do that in this rundown of the five essential pieces of recording equipment you need in your home studio setup. Read more.
Microphones are among the most important things in a studio’s arsenal – but don’t get caught up in the “more money equals better quality” syndrome when purchasing a home studio microphone. Like a camera lens, there are microphones that are good for wide angles, others for narrow focus, and there are those that have a vintage feel to them. No mic/pattern combination works for everything. Read more.
There’s always something your studio could use to improve work flow and functionality. Gibson’s Craig Anderton fell in love with these six home studio accessories this year. These goodies have stood out over the past year as essential for his studio, and they can contribute to any studio makeover or holiday wish list. Read more.
Mixing drums can be challenging at times, so we’ve put together some tips and tricks to get a clearer, more polished mix in your home studio. Find out the best ways to compress a kick drum, EQ your snares, treat your percussion, and more. Read more.
Disc Makers announces the return of our bi-annual sweepstakes — with a twist. This time around we’ve got three separate giveaways: one for guitarists, one for drummers, and one targeted to home recording enthusiasts. Co-sponsored by CD Baby, Sweetwater, Cakewalk, TASCAM, Auralex, Audio-Technica, Godin Guitars, Roland, Taylor Guitars, Bold Face, and Ernie Ball, these giveaways each feature over $4,000 in prizes. Deadline for entries is November 30, 2014. One winner will be chosen at random for each giveaway on or before December 10, 2014. Read more.
The moment I was first introduced to computer-based recording, I saw the potential for recording millions of takes. At first it made sense to me to just record as much as you can and then pick the best takes later. But over the years I have come to realize how much of a hindrance this philosophy was, rather than a help. I believe that having unlimited takes and hard drive space has made us lazy. We’ve lost that sense of urgency to try to perform our best in the studio and capture a great recording in a few takes. Read more.