The fifteen minutes between one artist’s final note and the next group’s first “hello” are precious. How you handle the transition can set you up for your best performance at your next music gig. Read More.
Touring is such a valuable learning and career opportunity. See the sights, play great shows, connect with industry, and make your fans feel special. Having a genuine attitude and hard-working ethos on the road can only lead to bigger, better opportunities. Read More.
Excerpted from our updated Indie Artist’s Guide To Gigging, this section focuses on booking strategies for acts trying to gain momentum and widen their base. Read More.
Playing an unplugged gig outdoors presents challenges if you need amplification – but there are ways to meet the challenges and put on a great show. Read More.
There’s an advantage to concentrating your live performance development in local music venues as you plan for future tours in new and wider territories. Start your career in a central place – your hometown or a town nearby – then expand outward from that central point. Read more.
Last week, Echoes published an article about my unexpectedly unplugged and unamplified live music performance at an outdoor festival. The entire band had to make adjustments to accommodate the requirements of the gig – and drummer Rob Mitzner, in particular, relied on a setup he’s customized just for such circumstances. Read more.
I had thought that, even though the gig was outdoors, we would have no problem plugging in amps and instruments. Many parks have outlets tucked away inside lamp posts and maintenance buildings, accessible for public events. As we moved closer to the date, we discovered the city would not in fact turn on the juice. Read more.
Unconventional venues require additional promo on your end and you should see it more as an active partnership with the venue. Rather than expecting the venue to promote you to their followers or patrons and pack the house for you, you generally will need to anticipate some involvement when it comes to spreading the word. Read more.
When jazz pianist Vijay Iyer scheduled the New York City release show for his 2015 album Break Stuff, he didn’t choose a standard venue. Iyer’s concert was staged in the Metropolitan Museum of Art, and Iyer isn’t the first artist to eschew traditional clubs and concert halls in favor of more unique performing grounds. Read more.
Our indie guide to gigging includes posts that will help you transform your performances, travel smarter, maximize merch sales, and book better gigs. Read More.
Taking your music on the road is a great way to reach new audiences, see the world, and hopefully have a grand adventure — but any touring veteran will tell you that it’s not as easy as it looks. From maintaining peace amongst band members and staying healthy, to dealing with substandard accommodations and endless hours in transit, spending time on the road can present unique and unforeseen challenges.
What are the realities of touring for an independent artist today? How do you set up your gigs? Does touring make financial sense? What should you hope to gain from going on any tour? These are just some of the questions you might – and should – be asking yourself if you plan to take your show on the road.
Megan Slankard is traveling through rural Wisconsin, where cell coverage can be spotty, as a part of a three-month, 75-date tour to promote her latest album, A Token of the Wreckage. Read more…