You’ve put together a great set of music and you’re ready to perform. How do you make a connection and impress a talent buyer to book you for a high-profile gig? Read More.
Here’s the strategy I used to book high exposure music gigs opening for Rick Derringer, Kenny Wayne Shepherd, Joan Jett, Fuel, and many others. This same method will work for booking gigs at local venues as well. Read More.
Touring is such a valuable learning and career opportunity. See the sights, play great shows, connect with industry, and make your fans feel special. Having a genuine attitude and hard-working ethos on the road can only lead to bigger, better opportunities. Read More.
Excerpted from our updated Indie Artist’s Guide To Gigging, this section focuses on booking strategies for acts trying to gain momentum and widen their base. Read More.
There’s an advantage to concentrating your live performance development in local music venues as you plan for future tours in new and wider territories. Start your career in a central place – your hometown or a town nearby – then expand outward from that central point. Read more.
Growth is good, but grow with awareness as you move to the next level. The truth is, most acts move too quickly. They think they’ve reached a level of success that they simply have not. Carefully assess every step of your success before charging ahead thinking you’re ready to move on. Read more.
Have you ever felt frantic about getting more gigs on your schedule? Depending on your goals and where you are in your music career, that may be exactly the thing to do. If you are in this to create a lasting career in music, one that builds momentum and progresses from one level to the next, you need a plan when booking music gigs. Read more.
Unconventional venues require additional promo on your end and you should see it more as an active partnership with the venue. Rather than expecting the venue to promote you to their followers or patrons and pack the house for you, you generally will need to anticipate some involvement when it comes to spreading the word. Read more.
When jazz pianist Vijay Iyer scheduled the New York City release show for his 2015 album Break Stuff, he didn’t choose a standard venue. Iyer’s concert was staged in the Metropolitan Museum of Art, and Iyer isn’t the first artist to eschew traditional clubs and concert halls in favor of more unique performing grounds. Read more.
Taking your music on the road is a great way to reach new audiences, see the world, and hopefully have a grand adventure — but any touring veteran will tell you that it’s not as easy as it looks. From maintaining peace amongst band members and staying healthy, to dealing with substandard accommodations and endless hours in transit, spending time on the road can present unique and unforeseen challenges.
From Bonaroo to High Sierra and the Warped Tour, it seems that more and more music festivals are popping up all over the world. But for emerging artists, landing a slot at a festival, even as an opening band, may seem out of reach – a goal for “later” in your career.
To find out just how feasible it is to try to land a spot on a festival stage, we spoke with a talent booker from San Francisco’s 18-year-old Noise Pop festival… Read more…
What are the realities of touring for an independent artist today? How do you set up your gigs? Does touring make financial sense? What should you hope to gain from going on any tour? These are just some of the questions you might – and should – be asking yourself if you plan to take your show on the road.
Megan Slankard is traveling through rural Wisconsin, where cell coverage can be spotty, as a part of a three-month, 75-date tour to promote her latest album, A Token of the Wreckage. Read more…