Blending acoustic and electronic sounds can open musical doors and take your songwriting and production in unexpected and adventurous directions. Read More.
There’s art and science behind every stage in the audio production process. Rob Mayzes joined our February Twitter Chat to discuss how you can overcome some of the challenges of mixing in a home studio environment. Read More.
If you steer clear of these five common mistakes when working on audio mixes in your home studio, you can avoid a muddy mix every time. Read More.
The process of getting sound into and out of the computer is actually quite simple and is totally dependent on the science of sound, which we call acoustics. Read More.
With all the information out there about acoustic treatment, it’s easy to get confused. One thing I’ve learned from recording and mixing in my own studio, doing research on the Internet and elsewhere, and reading numerous articles, is to keep things simple. Read more.
Controlling volume is one of the most important elements in audio production. Understanding amplitude, volume, normalization, and automation are all part of music production basics and will help you in the recording and mixing phases of your project. Read more.
If you record audio in a place where the same noises are often around, and you are not able to prevent them, then you’ve probably found yourself removing them from your audio recordings using noise reduction software. Unless you’ve built or purchased a sound-proof recording booth, there WILL be noise. Read more.
When it comes to recording and mixing your music, most of us agonize over which software plug-ins to buy or what microphones and preamps we can afford. It’s also crucial to assess the acoustic properties of the room in which you will make your most critical audio production decisions during mixdown. Read more.
You’ve finished the audio mix for your latest song. Your audio mix sounds pretty good in your home studio, but when you play the song on your iPod or in the car, you notice one or two bass notes always sound super loud, even though you’ve applied compression on the bass track to try and prevent this very problem. Read more.
I have sort of an irreverent attitude, so I’ve been inclined to do things that were supposed to be wrong. I always like using cheap or ancient, wheezing gear along with the usual pro gear, because I really think the “action” sound comes from musically effective distortion. Sometimes this oddball gear makes a bold sonic statement you just can’t get any other way. I like tape delays, for instance a [Roland] Space Echo, especially if the tape has a little crease in it. Read More.
Whether as a front-of-house live performance mixer, a remote broadcast/recording engineer working in a church or club, a recording engineer working on a studio session, or simply recording instruments in your modest one-room home recording studio, being isolated from your audio sound source is essential to producing a quality finished product. In order to make the best decisions about levels, EQs, dynamics, or effects, it’s necessary to hear the uncolored sound on its own. Read more.
Let’s face it, if you’re recording in a home studio, chances are the room acoustics in your recording studio aren’t exactly ideal. There may be some instances where capturing the room’s ambience and resonance is just what you want, and other times where isolating your sound source and divorcing it from the room is your better option. Read more.
This post was updated March 2017. Ready to learn how to record your music in your own home studio? Looking for advice on recording and music equipment, acoustics and mixing? We’ve got a ton of guides, blog posts, and articles we’ve published over the past few years, and we’ve collected most of them here for you. Read more.
How to get optimal results from your space and budget
If you decide to convert space in your home to function as a project studio, it’s easy to spend a lot of money before you plug in your first microphone. While quality recording gear is less and less expensive, acquiring everything you need to start recording adds up. And that doesn’t begin to address the costs of properly outfitting your space. For many home recording enthusiasts, doing any sort of major construction is simply not an option – but that doesn’t mean your dream of a quality recording space in your home needs to end before it begins.
Many of us have the gear to make our own home recordings, but often physical and/or acoustical limitations in the space where we record have an impact on the sound of our recordings. Read more.