Excerpted from The Gibson 335 Guitar Book, take a glimpse into Eric Clapton’s heralded Gibson 335 hollowbody that was first featured with Cream and went on to garner $847,000 at auction in 2004. Read More.
In our July Disc Makers Twitter chat (#DMchat), Brian Lipski, mastering engineer and manager of The SoundLAB, gave us an introduction to audio mastering for musicians of all genres. Read More.
Other than cost, which is one obvious reason headphones are a worthwhile option, here are three advantages to mixing on headphones in your home studio. Read More.
Do you have questions about what mastering engineers do and how they achieve their results? This introduction to the mastering gear in The SoundLAB gives you a glimpse into our mastering suites and the gear we use to make your music sound great. Read More.
The process of getting sound into and out of the computer is actually quite simple and is totally dependent on the science of sound, which we call acoustics. Read More.
With all the information out there about acoustic treatment, it’s easy to get confused. One thing I’ve learned from recording and mixing in my own studio, doing research on the Internet and elsewhere, and reading numerous articles, is to keep things simple. Read more.
Each of the basic effects pedals we covered in Part 1 is still made today, by a variety of manufacturers. That’s one of the things that makes the pedal world so fascinating. New takes on classic effects come out continuously, each offering some sort of variation or wrinkle that can help you further refine your own special sound. Read more.
The Modernistic trio of the Flying V, the Moderne, and the Explorer were first designed in 1957 with the concept of bringing futuristic design elements to the Gibson electric guitar line. Borrowing ideas from other modern designs of the era, Gibson created some of the more exotic production guitars of its day. Read more.
Ever wonder who plays the Hollywood scores? Not so long ago, film scores were recorded in studios and on sound stages. These days, that brilliant score might not have been played by a live orchestra. Technology allows virtual instrument developers to create near-identical versions of real-life instruments. Read more.
Just how serious a risk are extreme climate conditions to your instrument’s well being? Bob Taylor, co-founder and president of Taylor Guitars, stated that, “At one time, probably 70% of the repairs performed in our service center could have been avoided if the guitar had not been exposed to humidity extremes.” Read more.
So you want a killer home recording studio that can deliver great sounding tracks and not break the bank? Graham Cochrane lets you know exactly how to do that in this rundown of the five essential pieces of recording equipment you need in your home studio setup. Read more.
If you’re preparing to set up a home recording studio, this article can help you better understand some of the basic elements regarding the audio interface with your computer or DAW. These concepts can get very complex, but this post will focus on some of the more basic points about the subject. Here are nine questions you should ask when comparing audio interface options. Read more.
A little extra effort spent on avoiding unnatural sounds when mixing synths with acoustic instruments, improving expressiveness, and tightening timing inconsistencies can help you get the most out of your virtual synths. Read More.
Every studio recording should begin with pre-production, as prepping for a studio recording is the only way to take advantage of the time you have. Record yourself playing your band’s songs to understand how your tracks will come together in the studio. Review your recordings and focus on your parts to understand where improvements need to be made to lock down the tracks. Read more.
Whether as a front-of-house live performance mixer, a remote broadcast/recording engineer working in a church or club, a recording engineer working on a studio session, or simply recording instruments in your modest one-room home recording studio, being isolated from your audio sound source is essential to producing a quality finished product. In order to make the best decisions about levels, EQs, dynamics, or effects, it’s necessary to hear the uncolored sound on its own. Read more.