Using stereo widening plug-ins in audio mastering to try to expand your mix’s stereo width won’t sound natural and could cause major issues with your finished track. Read more.
A vocal producer is a specialist who concentrates on getting the best vocal performance possible. These eight tips come from a seasoned pro and will help you focus on how to bring your best vocal performance to the stage and studio. Read more.
A quality recording begins with good tones going to tape, but here’s a trick to use complimentary EQ to add presence and enhance your home studio audio mix. Read more.
Paul McCartney’s bass lines became an integral part of the Beatles’ evolution from world beating pop band to musical pioneers. We identify just what Paul did to make his parts stand out from what other bassists were doing at the time. Read more.
Our March 15th Disc Makers Twitter Chat focused on home studio recording tips featuring recording artist, producer, recording engineer, and “The Recording Solution” founder Scott Wiggins. See what Scott had to say in this #DMchat. Read more.
Supplying audio files in compressed formats or applying heavy limiting or compression during mix down can compromise your master and negatively impact your audio mastering results. Read more.
To get a great vocal sound in your home studio, you need to concentrate on these five technical elements – assuming you’ve got a vocalist who can deliver and a space ready to set the mood capture the mood. Check out this video for a high-impact, commonsense recording tutorial. Read more.
So many iconic guitarists have made their mark on music history using a Flying V, and a host of others who have made significant use of the guitar, either on record or live. Untold numbers have dabbled with this legendary guitar model, and there are a host of non-Gibson Flying V users who deserve inclusion in the list. Read more.
Each of the basic effects pedals we covered in Part 1 is still made today, by a variety of manufacturers. That’s one of the things that makes the pedal world so fascinating. New takes on classic effects come out continuously, each offering some sort of variation or wrinkle that can help you further refine your own special sound. Read more.
In part one, we rewind some of the history of these interesting devices, including links to product pages and demos of effects pedals in action. In part two, we identify some of the current stomp boxes and multi effects units that can help you create signature sounds. Read more.
In life, and when making an album, things happen. The more you understand about the process and the more detail-focused you are, the better your chances for success. So here are some things I wish I had been told before I started putting together an album’s worth of material to be pressed and distributed. Read more.
The Modernistic trio of the Flying V, the Moderne, and the Explorer were first designed in 1957 with the concept of bringing futuristic design elements to the Gibson electric guitar line. Borrowing ideas from other modern designs of the era, Gibson created some of the more exotic production guitars of its day. Read more.
One way to control the amplitude of a signal is by running it through a compressor, which turns down the volume each time the signal gets louder than a preset threshold. Understanding the functions of compression and panning are part of music production basics and will help you in the recording and mixing phases of your project. Read more.
Controlling volume is one of the most important elements in audio production. Understanding amplitude, volume, normalization, and automation are all part of music production basics and will help you in the recording and mixing phases of your project. Read more.
Sometimes “useful” is better than “precise,” though it is helpful to know what the differences are between technical terms in the recording studio. Even if you do misuse terms like loudness, volume, and gain on a regular basis. I work in the audio world and I still had to look up the exact definition of “gain.” Read more.