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Psychology and the music producer

What’s the most important thing to focus on as a music producer? Enthusiasm. Even if you’re telling them it’s not a great take, be enthusiastic about the fact that you think they can do a better job. You have to be good at focusing the artist and getting them to do the best they can. You have to make sure that nothing is condescending and that the tips and feedback you give are constructive. Read more.

Top 10 CD Baby Albums: July 2014

by Disc Makers August 1, 2014

millennial choirs orchestratwo steps from hellmary gauthierHere are the 10 best-selling albums in July: See all 10…

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Audio repair and restoration: tools of the trade

by Izotope July 30, 2014

Audio repair and restoration with RX 3 When you hear the words “repair” and “restoration,” you might be inclined to think of dusty vaults filled with aging master tapes and records. Some audio repair and restoration projects involve taking old recordings and reviving them, and the same methods and tools used for those projects can be used for a wide range of scenarios. Every time you record audio, there’s always the chance of encountering unexpected and unwelcome audio “guests.” Read more.

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The power of a trash can ending

by Tom Jackson July 28, 2014

trash can ending If you are a creative artist, you’ll probably put an original and clever ending on some of your songs – fade outs, unresolved chord progressions, or bleed-ins to the next song, for example. In a recording studio, I say go for it! But live, more often than not, it’s a mistake. Putting a clever ending on a song can sometimes confuse your audience. They don’t know for sure if the song’s over, so you only get a small smattering of hesitant applause. Read more.

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Prepare yourself and your music for music licensing

by Greg Savage July 23, 2014

prepare for music licensing Music licensing is a very lucrative business with no shortage of placement opportunities. As an independent music creator, you have the ability capitalize, but you have to be organized, flexible, patient, and willing to cater to the market’s needs. This is a different ball game when compared to creating music for an artist. Here’s some tips to help you better prepare yourself for licensing. Read more.

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Music workshops: how to choose, prep, and “work” music industry events

by Michael Gallant July 22, 2014

attending music workshops Music workshops can be outstanding resources when it comes to education, networking, and generating ideas. But how can you be sure the enticing-sounding workshop you’re being pitched is meat, rather than hype? How do you make the most of your time and elevate your career in the process? We’ve got tips from two industry veterans who know the world of workshops inside and out. Read more.

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Ditch the pre-show performance jitters

by Cheryl B. Engelhardt July 17, 2014

overcoming performance jitters We all know practice makes perfect, but sometimes perfect isn’t enough to calm performance jitters, cool sweaty palms, and relax the nerves. So whether you’re heading out to perform for some big festival crowds, going solo for the first time, or just want to get a grip on your performance, here are a few tips to take on – before you step on stage. Read more.

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Creating an effective online ad

by Jon Ostrow July 14, 2014

Online ad for your band Once you’ve determined the purpose of your ad, the best budget, the target audience, and key performance indicators (KPIs – e.g. email list growth, ticket sales), you now need to actually put your online ad together and set it up. The following will help you to navigate this set-up process to ensure the money you spend is worthwhile. Read more.

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Guitar intonation: how to keep your guitar in tune

by Keith Hatschek July 10, 2014

adjusting guitar intonationGuitars use what is known as an equally tempered scale. The guitar’s tempered scale is a compromise and doesn’t result in 100% precise tuning or intervals between notes. Since guitars have this inherent weakness when it comes to being in tune, it’s important to develop a basic understanding of guitar intonation and adjustments to get the best performance out of your instrument. Read More

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Virtual synths and the art of imperfection

by Craig Anderton July 8, 2014

QuadCurve EQSynthesizers are musical instruments. You wouldn’t mic a drum set by taking the first mic you found and pointing it the general direction of the drummer. A little extra effort spent on avoiding unnatural sounds when mixing synths with acoustic instruments, improving expressiveness, and tightening timing inconsistencies can help you get the most out of your virtual synths. Read More.

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ISRC, Gracenote, and CD-Text explained (and provided) here!

by Disc Makers July 3, 2014

ISRC codes explainedYou’ve heard the term “ISRC” thrown around, but what is it, and why do you need it? An ISRC (International Standard Recording Code) is a 12-digit alphanumeric code that serves as a unique and permanent identifier for any sound recording or music video. So where a UPC is tied to the “carrier” of the track – e.g. the CD or LP – an ISRC identifies individual tracks. Read More.

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Why do you love vinyl records?

by Disc Makers June 30, 2014

Why do you love vinyl records?Here at Disc Makers, we’re all excited to see vinyl records come back onto the scene. As we’ve said before, it’s one of the more improbable stories in the music industry from the last decade, and while we sure do love CDs, there’s something almost magical about the return of vinyl. Do you feel the same way? Share your stories with us. Read More.

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9 things you should never do on stage

by Shaun Letang June 25, 2014

Music performance no nosWhile it’s good to know what you should be doing to advance your music career, it’s also important to be aware of the things you should avoid. With that in mind, I want to share with you nine mistakes I’ve seen musicians make during a music performance. I’ve tried to leave personal opinion out of it, instead focusing on what will make for a poor show for your audience. After all, it’s them you’re there to entertain, right? Read More.

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Navigating the business end of the music business

by Michael Gallant June 24, 2014

music business adviceIt’s called the music business for a reason — yet for many indie artists, organizing and maintaining the business end of a music career can rank just above dental surgery when it comes to activities of choice. It doesn’t have to be that way. Following just a handful of straightforward suggestions will streamline your music business existence and help you avoid common financial pitfalls that can eat up precious hours and energy. Read More.

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How to create a compelling Facebook ad

by Ben Sword June 20, 2014

compelling Facebook adEven though lots of indie artists are satisfied staying independent, many musicians I meet would like to get noticed by a label. Personally I don’t focus too much on “label obsessed” marketing, so you can use this same trick to reach journalists, radio stations, bloggers, and all manner of influential people who can help push your music forward. Read More.

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(Irreverent) Recording tips from Mitch Easter

by Keith Hatschek June 19, 2014

Mitch Easter Recording TipsI have sort of an irreverent attitude, so I’ve been inclined to do things that were supposed to be wrong. I always like using cheap or ancient, wheezing gear along with the usual pro gear, because I really think the “action” sound comes from musically effective distortion. Sometimes this oddball gear makes a bold sonic statement you just can’t get any other way. I like tape delays, for instance a [Roland] Space Echo, especially if the tape has a little crease in it. Read More.

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