More than ever, the NAMM show is becoming a mash up of the analog world – with its historic musical precedents made up of strings, reeds, mallets, speakers, mics and the best traditional music making elements – with the increasingly digital music world, where speed, portability, and innovation rule. When it comes to acoustic instruments and music making, there really are no new products, simply refinements and leaps ahead that improve existing tools and techniques. Read more…
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Yesterday, I ran into a friend who suggested I check out a soft synth program from Spectrasonics called Omnisphere 1.5, and I caught the tail end of a demo by keyboardist Jordan Rudess that day, but just what the Omnisphere program could do was still a bit murky to me. 
Today was my first day at the 2011 Winter NAMM Convention, a gathering of more than 80,000 people involved in the music products industry.
Many people have a limited budget this year to upgrade their home recording systems. Because of that, it’s helpful to prioritize what is the most important element you need or would benefit from upgrading. 
Last month, I described the pre-production planning process and the DIY video shoot done with the band Sugar Water Purple.
As I was filling my car with gas the other day, a television was blaring commercials to me at the pump. 
While the revolution in recording technology centers on affordable digital audio workstations, the affection for the old analog traditions and sounds is more than just nostalgia.
There are some astounding values placed on vintage instruments and recording equipment these days.
