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	<title>Comments on: The Zen of Ear Training – Part 1</title>
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	<link>http://blog.discmakers.com/2009/11/the-zen-of-ear-training-part-1/</link>
	<description>Insight for Independent Artists</description>
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		<title>By: Rick Stone</title>
		<link>http://blog.discmakers.com/2009/11/the-zen-of-ear-training-part-1/comment-page-1/#comment-6742</link>
		<dc:creator>Rick Stone</dc:creator>
		<pubDate>Mon, 19 Dec 2011 17:41:00 +0000</pubDate>
		<guid isPermaLink="false">http://blog.discmakers.com/?p=2872#comment-6742</guid>
		<description>Sorry Barbara, in the moveable Do system that&#039;s taught in most American schools now &quot;Si&quot; is the sharped version of &quot;So.&quot;  The chromatic scale ascending (with sharps) goes like this:

Do Di Re Ri Mi Fa Fi So Si La Li Ti Do

And descending with flats is:

Do Ti Te La Le So Se Fa Mi Me Re Ra Do

Of course, the direction of the line doesn&#039;t necessarily dictate whether sharps or flats are used, but the actual construction of the scale, so a Harmonic minor scale for instance, is going to have both a minor 3rd and a Major 7th and would be sung (both ascending and descending) with the following syllables:

Do Re Me Fa So Le Ti Do Ti Le So Fa Me Re Do

(and after typing all this, I see that you did address it in a post further down in this thread).

However, if we talk to some our friends in Latin language speaking countries, I think we&#039;ll find they use &quot;Si&quot; for 7th note of the scale and in a &quot;Fixed Do&quot; system, that&#039;s ALWAYS the note &quot;B.&quot;  Check out this link (and scroll down to &quot;Fixed Do&quot; and you&#039;ll see this).
http://en.wikipedia.org/wiki/Solf%C3%A8ge
</description>
		<content:encoded><![CDATA[<p>Sorry Barbara, in the moveable Do system that&#8217;s taught in most American schools now &#8220;Si&#8221; is the sharped version of &#8220;So.&#8221;  The chromatic scale ascending (with sharps) goes like this:</p>
<p>Do Di Re Ri Mi Fa Fi So Si La Li Ti Do</p>
<p>And descending with flats is:</p>
<p>Do Ti Te La Le So Se Fa Mi Me Re Ra Do</p>
<p>Of course, the direction of the line doesn&#8217;t necessarily dictate whether sharps or flats are used, but the actual construction of the scale, so a Harmonic minor scale for instance, is going to have both a minor 3rd and a Major 7th and would be sung (both ascending and descending) with the following syllables:</p>
<p>Do Re Me Fa So Le Ti Do Ti Le So Fa Me Re Do</p>
<p>(and after typing all this, I see that you did address it in a post further down in this thread).</p>
<p>However, if we talk to some our friends in Latin language speaking countries, I think we&#8217;ll find they use &#8220;Si&#8221; for 7th note of the scale and in a &#8220;Fixed Do&#8221; system, that&#8217;s ALWAYS the note &#8220;B.&#8221;  Check out this link (and scroll down to &#8220;Fixed Do&#8221; and you&#8217;ll see this).<br />
<a href="http://en.wikipedia.org/wiki/Solf%C3%A8ge" rel="nofollow">http://en.wikipedia.org/wiki/Solf%C3%A8ge</a></p>
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		<title>By: Lorenjones</title>
		<link>http://blog.discmakers.com/2009/11/the-zen-of-ear-training-part-1/comment-page-1/#comment-6469</link>
		<dc:creator>Lorenjones</dc:creator>
		<pubDate>Wed, 21 Sep 2011 03:29:00 +0000</pubDate>
		<guid isPermaLink="false">http://blog.discmakers.com/?p=2872#comment-6469</guid>
		<description>I think that we should not get caught up into the technical sense of pitch
or the use of phrases which throws off the entire concept of what we are
trying to achieve, instead listen to the sound, disern the perfect beauty in the sound,
[like looking at colors], find the vividness of the pitch, when looking this closely
your ears will begin to take their natural position, hearing,and amasingly
they will find what your mind has communicated them to look for,PERFICT PITCH. 
</description>
		<content:encoded><![CDATA[<p>I think that we should not get caught up into the technical sense of pitch<br />
or the use of phrases which throws off the entire concept of what we are<br />
trying to achieve, instead listen to the sound, disern the perfect beauty in the sound,<br />
[like looking at colors], find the vividness of the pitch, when looking this closely<br />
your ears will begin to take their natural position, hearing,and amasingly<br />
they will find what your mind has communicated them to look for,PERFICT PITCH. </p>
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		<title>By: Jojo Taylor</title>
		<link>http://blog.discmakers.com/2009/11/the-zen-of-ear-training-part-1/comment-page-1/#comment-6186</link>
		<dc:creator>Jojo Taylor</dc:creator>
		<pubDate>Fri, 17 Jun 2011 02:09:00 +0000</pubDate>
		<guid isPermaLink="false">http://blog.discmakers.com/?p=2872#comment-6186</guid>
		<description>Althouth I have Been Singing as a Frontman for over 4 Decades , I Have Found That You Can Teach an Old Dod New Tricks ! The Exercises have proven to be very useful , and now singing Arcapelo is a Breeze !
Jo Jo Taylor</description>
		<content:encoded><![CDATA[<p>Althouth I have Been Singing as a Frontman for over 4 Decades , I Have Found That You Can Teach an Old Dod New Tricks ! The Exercises have proven to be very useful , and now singing Arcapelo is a Breeze !<br />
Jo Jo Taylor</p>
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		<title>By: Mike</title>
		<link>http://blog.discmakers.com/2009/11/the-zen-of-ear-training-part-1/comment-page-1/#comment-6001</link>
		<dc:creator>Mike</dc:creator>
		<pubDate>Fri, 13 May 2011 21:25:59 +0000</pubDate>
		<guid isPermaLink="false">http://blog.discmakers.com/?p=2872#comment-6001</guid>
		<description>awesome reply daniel. hans: don&#039;t be too caught up on what &quot;zen&quot; is defined as, or whether these concepts fit into what you already seem to have preconceived what it is. just let it be what it is and call it whatever you want; words are merely signposts between ideas</description>
		<content:encoded><![CDATA[<p>awesome reply daniel. hans: don&#8217;t be too caught up on what &#8220;zen&#8221; is defined as, or whether these concepts fit into what you already seem to have preconceived what it is. just let it be what it is and call it whatever you want; words are merely signposts between ideas</p>
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		<title>By: Ariala</title>
		<link>http://blog.discmakers.com/2009/11/the-zen-of-ear-training-part-1/comment-page-1/#comment-5969</link>
		<dc:creator>Ariala</dc:creator>
		<pubDate>Fri, 06 May 2011 16:00:25 +0000</pubDate>
		<guid isPermaLink="false">http://blog.discmakers.com/?p=2872#comment-5969</guid>
		<description>I did all kinds of exercises just like these in choir. And I don&#039;t have to sing these with instruments anymore. I can do it perfectly fine by myself and its in tune!</description>
		<content:encoded><![CDATA[<p>I did all kinds of exercises just like these in choir. And I don&#8217;t have to sing these with instruments anymore. I can do it perfectly fine by myself and its in tune!</p>
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		<title>By: Tim Smith</title>
		<link>http://blog.discmakers.com/2009/11/the-zen-of-ear-training-part-1/comment-page-1/#comment-5903</link>
		<dc:creator>Tim Smith</dc:creator>
		<pubDate>Thu, 28 Apr 2011 17:26:33 +0000</pubDate>
		<guid isPermaLink="false">http://blog.discmakers.com/?p=2872#comment-5903</guid>
		<description>GREAT advice!  Ear protection is the way to go, can&#039;t stress that enough!
Tim Smith
The Soundscape Recording Studio
Royal Oak, MI</description>
		<content:encoded><![CDATA[<p>GREAT advice!  Ear protection is the way to go, can&#8217;t stress that enough!<br />
Tim Smith<br />
The Soundscape Recording Studio<br />
Royal Oak, MI</p>
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	<item>
		<title>By: Anonymous</title>
		<link>http://blog.discmakers.com/2009/11/the-zen-of-ear-training-part-1/comment-page-1/#comment-1650</link>
		<dc:creator>Anonymous</dc:creator>
		<pubDate>Wed, 24 Feb 2010 22:30:05 +0000</pubDate>
		<guid isPermaLink="false">http://blog.discmakers.com/?p=2872#comment-1650</guid>
		<description>Also research generally shows that relative pitch can be aquired skill (with lots of work), perfect pitch is developed in a small number of people during their earliest years.   It is most common in people whose mother tongue is a tonal language (madarin, Thai, etc. )</description>
		<content:encoded><![CDATA[<p>Also research generally shows that relative pitch can be aquired skill (with lots of work), perfect pitch is developed in a small number of people during their earliest years.   It is most common in people whose mother tongue is a tonal language (madarin, Thai, etc. )</p>
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		<title>By: Anonymous</title>
		<link>http://blog.discmakers.com/2009/11/the-zen-of-ear-training-part-1/comment-page-1/#comment-1649</link>
		<dc:creator>Anonymous</dc:creator>
		<pubDate>Wed, 24 Feb 2010 22:25:55 +0000</pubDate>
		<guid isPermaLink="false">http://blog.discmakers.com/?p=2872#comment-1649</guid>
		<description>Hey Mitch I think you are mostly correct in the North American context, but in Eerope and the Middle-East people commonly  do say  
&quot;this chord progression goes from the Do to the Sol.”
I have heard it many times.</description>
		<content:encoded><![CDATA[<p>Hey Mitch I think you are mostly correct in the North American context, but in Eerope and the Middle-East people commonly  do say<br />
&#8220;this chord progression goes from the Do to the Sol.”<br />
I have heard it many times.</p>
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	<item>
		<title>By: Ear Training Articles &#124; Worship Ministry Catalyst</title>
		<link>http://blog.discmakers.com/2009/11/the-zen-of-ear-training-part-1/comment-page-1/#comment-1511</link>
		<dc:creator>Ear Training Articles &#124; Worship Ministry Catalyst</dc:creator>
		<pubDate>Wed, 10 Feb 2010 19:50:12 +0000</pubDate>
		<guid isPermaLink="false">http://blog.discmakers.com/?p=2872#comment-1511</guid>
		<description>[...] The Zen of Ear Training &#8211; Part 1 [...]</description>
		<content:encoded><![CDATA[<p>[...] The Zen of Ear Training &#8211; Part 1 [...]</p>
]]></content:encoded>
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		<title>By: Topping the Charts! &#171; Music, Freelancing, Art, Ideas</title>
		<link>http://blog.discmakers.com/2009/11/the-zen-of-ear-training-part-1/comment-page-1/#comment-1309</link>
		<dc:creator>Topping the Charts! &#171; Music, Freelancing, Art, Ideas</dc:creator>
		<pubDate>Wed, 20 Jan 2010 22:48:49 +0000</pubDate>
		<guid isPermaLink="false">http://blog.discmakers.com/?p=2872#comment-1309</guid>
		<description>[...] http://blog.discmakers.com/2009/11/the-zen-of-ear-training-part-1/ [...]</description>
		<content:encoded><![CDATA[<p>[...] <a href="http://blog.discmakers.com/2009/11/the-zen-of-ear-training-part-1/" rel="nofollow">http://blog.discmakers.com/2009/11/the-zen-of-ear-training-part-1/</a> [...]</p>
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