by Randy Chertkow and Jason Feehan
September 30, 2009
Practical advice to earn you twice the royalties you think you’re owed
No musician can afford to miss out on a potential source of income. So if you’re a songwriter, and not a member of a Performance Rights Organizations (PRO) like ASCAP, BMI, SESAC, or SOCAN (Canada), you could be leaving money on the table. It’s not difficult to join one of these organizations, and as an independent, there are ways to enroll that allow you to maximize your royalties and double what you might think you’re eligible for.
Unfortunately, to understand PROs and what they can do for you, it’s important to understand how copyright works for music. So even though “brief” and “copyright” should probably never go into the same sentence, an overview to explain why PROs exist, how they pay songwriters, and how they are different from other organizations that collect money for musicians (like Harry Fox) is necessary. Read more…
by Bobby Owsinski
September 30, 2009
There’s so much to being a guitar player that’s easy. There’s a vast variety of gear to choose from, a host of excellent players in every genre to learn from, and plenty of ways to get you to a place where you can make music quickly and easily. That being said, playing guitar well takes a lot of thought and effort that goes way beyond technique. It requires some dedication to not only do it well, but also do it in a way that makes the rest of your band sound better as a result. Here are all the things to either think about or work on to take your individual playing to the next level and, as a result, bring your band there, too. Read more…