When you hear the words “repair” and “restoration,” you might be inclined to think of dusty vaults filled with aging master tapes and records. Some audio repair and restoration projects involve taking old recordings and reviving them, and the same methods and tools used for those projects can be used for a wide range of scenarios. Every time you record audio, there’s always the chance of encountering unexpected and unwelcome audio “guests.” Read more.
While it’s good to know what you should be doing to advance your music career, it’s also important to be aware of the things you should avoid. With that in mind, I want to share with you nine mistakes I’ve seen musicians make during a music performance. I’ve tried to leave personal opinion out of it, instead focusing on what will make for a poor show for your audience. After all, it’s them you’re there to entertain, right? Read More.
If you are a creative artist, you’ll probably put an original and clever ending on some of your songs – fade outs, unresolved chord progressions, or bleed-ins to the next song, for example. In a recording studio, I say go for it! But live, more often than not, it’s a mistake. Putting a clever ending on a song can sometimes confuse your audience. They don’t know for sure if the song’s over, so you only get a small smattering of hesitant applause. Read more.
Music licensing is a very lucrative business with no shortage of placement opportunities. As an independent music creator, you have the ability capitalize, but you have to be organized, flexible, patient, and willing to cater to the market’s needs. This is a different ball game when compared to creating music for an artist. Here’s some tips to help you better prepare yourself for licensing. Read more.
Music workshops can be outstanding resources when it comes to education, networking, and generating ideas. But how can you be sure the enticing-sounding workshop you’re being pitched is meat, rather than hype? How do you make the most of your time and elevate your career in the process? We’ve got tips from two industry veterans who know the world of workshops inside and out. Read more.
We all know practice makes perfect, but sometimes perfect isn’t enough to calm performance jitters, cool sweaty palms, and relax the nerves. So whether you’re heading out to perform for some big festival crowds, going solo for the first time, or just want to get a grip on your performance, here are a few tips to take on – before you step on stage. Read more.
Guitars use what is known as an equally tempered scale. The guitar’s tempered scale is a compromise and doesn’t result in 100% precise tuning or intervals between notes. Since guitars have this inherent weakness when it comes to being in tune, it’s important to develop a basic understanding of guitar intonation and adjustments to get the best performance out of your instrument. Read More
Synthesizers are musical instruments. You wouldn’t mic a drum set by taking the first mic you found and pointing it the general direction of the drummer. A little extra effort spent on avoiding unnatural sounds when mixing synths with acoustic instruments, improving expressiveness, and tightening timing inconsistencies can help you get the most out of your virtual synths. Read More.
You’ve heard the term “ISRC” thrown around, but what is it, and why do you need it? An ISRC (International Standard Recording Code) is a 12-digit alphanumeric code that serves as a unique and permanent identifier for any sound recording or music video. So where a UPC is tied to the “carrier” of the track – e.g. the CD or LP – an ISRC identifies individual tracks. Read More.
Here at Disc Makers, we’re all excited to see vinyl records come back onto the scene. As we’ve said before, it’s one of the more improbable stories in the music industry from the last decade, and while we sure do love CDs, there’s something almost magical about the return of vinyl. Do you feel the same way? Share your stories with us. Read More.