You might have great songs and finely-honed chops, but engaging an audience from the moment you walk on stage until the moment your last note fades is another skill entirely. Here are tips from David Darwin (AKA The One Man Sideshow) for indie artists on what to do before, between, and during songs to make your entire music performance as powerful as your individual songs might already be. Read more.
Before we can mass produce copies of your disc, there are a few legal issues to clear first. You are required to sign a release form declaring that all the music on your album is original and “owned” by you. If all your music is original, you’ll check that box and move on. However, if you record any cover songs or incorporate any copyrighted samples or loops, you have to provide proof that you received the proper permissions. Read more.
Doubt is part of the creative process. Even people who are at the top of the songwriting game today struggle with the process. [One hit songwriter I know] has said that he’ll come up with 100 different melodies to find the one that sticks. So it’s essential to not be afraid to throw out those hundred until you hit on one that lights you up on the inside and you know, “Wow, that’s it!” Read more.
If you’re preparing to set up a home recording studio, this article can help you better understand some of the basic elements regarding the audio interface with your computer or DAW. These concepts can get very complex, but this post will focus on some of the more basic points about the subject. Here are nine questions you should ask when comparing audio interface options. Read more.
Playing music gigs in Canada just got easier thanks to a new law, but crossing the border with your instrument still requires preparation and organization. If you’re planning a trip to play music gigs in Canada, here’s some advice and a few online resources to help make your border crossing smooth and easy. Read more.
The moments after the song is over present a crucial opportunity to build momentum for your show, and it’s one that many music performers tend to miss. You need to learn how to put pressure on the audience and accept applause. This means that the ending should intentionally ask the audience to applaud – you’ll use non-verbal cues. Read more.
Music photography is just another way to help you communicate with the world. When your music photos support your lyrics, music, website, tweets, emails, or releases to complete who you are and help convey your message as an artist AND your artist brand, then they are doing their job! Follow these few guidelines to get your next photo shoot to be a true snapshot of you. Read more.
If you are a creative artist, you’ll probably put an original and clever ending on some of your songs – fade outs, unresolved chord progressions, or bleed-ins to the next song, for example. In a recording studio, I say go for it! But live, more often than not, it’s a mistake. Putting a clever ending on a song can sometimes confuse your audience. They don’t know for sure if the song’s over, so you only get a small smattering of hesitant applause. Read more.
Music licensing is a very lucrative business with no shortage of placement opportunities. As an independent music creator, you have the ability capitalize, but you have to be organized, flexible, patient, and willing to cater to the market’s needs. This is a different ball game when compared to creating music for an artist. Here’s some tips to help you better prepare yourself for licensing. Read more.